Material Presence
Fitzrovia Gallery, London, December 2022
Curated the Turps Correspondence end of year show with 50 international artists, at Fitzrovia Gallery, London. November 2022
November 2025
Two prints selected for the curated hang
To fill a silence
We dig for the bones
Crypt Gallery, St Pancras Church, 2025
Underlying brings together a group of artists whose work concerns what lies beneath the surface, in material and psychological ways, and in finding new meanings and life by excavating and re-using the flotsam and jetsam, ephemera and relics of previous and contemporary times.
In mining for inspiration and ideas in the sedimentary layers of experience, history, mythology, archaeology, the River Thames silt, and the unconscious, these artists unearth and reinvent their own relics and artefacts, creating new mythologies and stories. They focus on the fragile persistence of objects in a digital age, and how they can hold complex meanings and stories that provide fertile ground for re-imagining new ideas, art and artefacts. The Crypt Gallery venue intensifies the themes of burial, unearthing, cycles of life, death, renewal, and new life rising from the ruins of the past, which each artist explores in their unique way.
Dancing at the edge of the world, 2025
“To find a new world, maybe you have to have lost one. Maybe you have to be lost. The dance of renewal, the dance that made world, was always danced here at the edge of things, on the brink, on the foggy coast.” Ursula le Guin
Remains of the day, 2025
28 owls on paper plates, using leftover oil paint on flash at the end of a days painting.
Finch Gallery, November 2025
Flag, 2025
Miniature Masters, Canal boat Contemporary, October 2025
Held, tiny egg box painting
Striding Edge, October 2025
Finch Gallery, September 2025
Lido Stores Open, September 2025
Angsty owl, 2025 Lido Open 2025
Time to Time
Unprimed Collective, Safehouse, Peckham
Front room, Safehouse, Peckham, May 2025