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Sarah Praill

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November 2025

Two prints selected for the curated hang

To fill a silence

 

We dig for the bones

 
 

Crypt Gallery, St Pancras Church, 2025

 

Underlying brings together a group of artists whose work concerns what lies beneath the surface, in material and psychological ways, and in finding new meanings and life by excavating and re-using the flotsam and jetsam, ephemera and relics of previous and contemporary times.

In mining for inspiration and ideas in the sedimentary layers of experience, history, mythology, archaeology, the River Thames silt, and the unconscious, these artists unearth and reinvent their own relics and artefacts, creating new mythologies and stories. They focus on the fragile persistence of objects in a digital age, and how they can hold complex meanings and stories that provide fertile ground for re-imagining new ideas, art and artefacts. The Crypt Gallery venue intensifies the themes of burial, unearthing, cycles of life, death, renewal, and new life rising from the ruins of the past, which each artist explores in their unique way.

 

Dancing at the edge of the world, 2025

“To find a new world, maybe you have to have lost one. Maybe you have to be lost. The dance of renewal, the dance that made world, was always danced here at the edge of things, on the brink, on the foggy coast.” Ursula le Guin

 

Remains of the day, 2025
28 owls on paper plates, using leftover oil paint on flash at the end of a days painting.

 
 
 
 

Finch Gallery, November 2025

Flag, 2025

 
 

Miniature Masters, Canal boat Contemporary, October 2025

Held, tiny egg box painting

 

Striding Edge, October 2025

 
 

Finch Gallery, September 2025

 
 

Lido Stores Open, September 2025

 

Angsty owl, 2025 Lido Open 2025

 
 
 
 

Time to Time
Unprimed Collective, Safehouse, Peckham

Front room, Safehouse, Peckham, May 2025

 
17_chalkdust_sarah_praill2.jpg

The Glass Envelope Residency

Sarah Praill November 26, 2020

Mirror and light

This morning we moved our bodies to the sound of Arvo Part, Spiegel im Spiegel. The Mirror in the Mirror. Or is it glass in the glass? A different kind of letter for the Glass Envelope. Sally’s presence felt reassuring and safe. Andrei Tarkovsky made a loosely autobiographical Film “Mirror”. It remains with me. There is the feeling of a child looking out onto the world. Not inside looking but outside looking. The feeling of rain and its sound. How so? As I moved my body it was as if I found myself in my childhood body and I began to move my hands in the position of a ballerina. As I approached the paper I began to shave viridian pastel dust in the shape of the arc of my movements. I began to push this around the paper with my fingers. Chalk dust, catching the light. This is my earliest memory of being in the world. I was three years old.

The translation of one thing into another was at the heart of the discussion afterwards. How the movement translated itself into the image. How one thing is not the same as another but emerges and comes up out of it in a very different way. It is an evidencing of the experience but a translation of it. How does an image emerge? We talked about unknown and unfamiliar spaces and how we can trust and be open to the poke and the prompt of each other. I sense resistance in me at times but also a hunger for the poke.

Sylwia’s preoccupation with the photographic process and the pinhole camera investigates how light can bounce through darkness to create an image. Making a camera together out of a tea box, tin foil and tracing paper and finding our images on the screen felt magical. Pragya in India captured an upside down image of us all. Seeing through a tunnel of black to the image on the screen. Ean in the USA captured an image of the house opposite. Wonder.

Yesterday I interviewed myself and made a film whilst talking. I hadn’t planned out what to say or where to look or what to show. It just happened and it was very hard for me letting go and just seeing what emerged. It was a surprise to me and illuminating. Uncomfortable and exposing. Like a rabbit in the headlights. Trust is required when we allow ourselves to enter unfamiliar spaces. When we open ourselves up. To let go.


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